Saturday, February 18, 2017

The Sexual Decadence of Weimar Germany (UPDATE)

Liza Minnelli and Joel Grey starred in the film version of Carbaret in 1972Transvestite prostitutes sitting on the laps of gay men in the popular Berlin gay bar Marienkasin Hansi Sturm, was the winner of the Miss Eldorado transvestite pageant in 1926 Picture postcard of the gay club Silhouette, popular in the late 1920s and early 1930s. Always under a blue haze of cigarette and cigar smoke, film stars, cabaret artists and wealthy nobility were regulars including a young Marlene Dietrich alongside princes, counts and barons.

The Sexual Decadence of Weimar Germany 

Berlin was a liberal hotbed of homosexuality and a mecca for cross dressers and transsexuals where the first male-to-female surgery was performed - until the Nazis came to power, new book reveals

  • An uninhibited urban gay sexual scene flourished in Berlin, Germany in the wake of World War One
  • The science of ‘transsexuality’ was founded at the Institute of Sexual Science where the first male-to-female surgery was performed
  • German scientists concluded that same-sex love was a natural, inborn characteristic and not merely the perversion of a ‘normal’ sexual tendency
  • There were 30 separate homosexual periodicals
  • Cross-dressers found dressmakers who tailored for large sizes and singles searching for gay love could place ads

Think Liza Minnelli and Joel Gray in Carberet. Think West Hollywood, Greenwich Village and Provincetown and the Castro, known as hotbeds of homosexuality.

But they are nothing like the uninhibited urban gay sexual scene and vast homosexual subculture that flourished in Berliin under Germany's Weimar Republic.

Sexual experimentation between the same sexes and medical advances of helping genders ‘trapped within the wrong body’ in Germany more than one hundred years ago shaped our understanding of gay identity today.

The city's liberal years - before the rise of Hitler - are detailed in a new book, Gay Berlin.

The science of ‘transsexuality’ was founded in Berlin at the Institute of Sexual Science where the first male-to-female surgery was performed. The words ‘homosexual’ or ‘transvestite’ were German innovations.
Police mugshots of Berlin prostitute Johann Scheff, arrested in July 1932. Youths dressed in women's clothing who successfully passed for women, descended on department stores en masse stealing large quantities of merchandise.
Police mugshots of Berlin prostitute Johann Scheff, arrested in July 1932. Youths dressed in women's clothing who successfully passed for women, descended on department stores en masse stealing large quantities of merchandise.
The cover of Die Intel, December 1930, advertising a serialized installment of Men for Sale (Manner zu verkaufen). German gay magazines also offered gay and lesbian friendly services to the gay subculture including medical doctors specializing in 'sexual disturbances', detective agencies offering to investigate blackmail threats, as well as dressmakers and restaurants

The cover of Die Intel, December 1930, advertising a serialized installment of Men for Sale (Manner zu verkaufen). German gay magazines also offered gay and lesbian friendly services to the gay subculture including medical doctors specializing in 'sexual disturbances', detective agencies offering to investigate blackmail threats, as well as dressmakers and restaurants


Liza Minnelli and Joel Grey starred in the film version of Carbaret in 1972

Male prostitution, homosexual bars and nightclubs, cabarets populated by gay men, lesbians and transsexuals flourished in a wild, incomparable sexual subculture that was exciting yet dangerous.

It was in Berlin where scientists concluded that ‘same sex love was a natural, inborn characteristic and not merely the perversion of a ‘normal’ sexual tendency’, author and scholar Robert Beachy writes in his compelling book, Gay Berlin: Birthplace of a Modern Identity by Knopf Publishers.

The Weimar Republic emerged out of the wreckage of Germany's war. The Kaiser was gone, the 1919 Versailles Treaty saw the abolition of the German Empire and the loss of significant amounts of its territory.

It was a troubled and tortured time for Germany, but Berlin, the old imperial capital became its most liberal city.

High living, a vibrant urban life and relaxed social attitudes, along with the influx of American money defined the Golden Twenties in Berlin that was the most creative period in German history.

Writers, poets, artists from London, France, the United States arrived in the German city to witness and experience the wild erotic sexual freedom along with curiosity seekers, voyeurs, and homosexuals.

Western Europeans, Scandinavians and Russians all came to indulge their sexual appetites in the hedonistic nightlife and party culture of the German capital – or they came to witness the ‘luridly licentious Berlin’, spiking their own voyeuristic impulses.

‘The pervasive prostitution (both male and female), the public cross-dressing, and the easy access to bars and clubs that catered to homosexual men and lesbians were just a few of the features that supported Berlin’s sex industry’.

Transvestite prostitutes sitting on the laps of gay men in the popular Berlin gay bar Marienkasin


Hansi Sturm, was the winner of the Miss Eldorado transvestite pageant in 1926

There were twenty-five to thirty separate homosexual German-language periodicals that were appearing in Berlin, weekly or monthly.

There were no other journals published anywhere else in the world until after 1945.

Openly nudist and homosexual titles were displayed in the kiosks.

Same-sex bars, clubs and cafes advertised as well as the professional services of doctors, dentists, lawyers, stationers…all with the implied ‘friends patronize friends’.

In those magazines, anyone facing blackmail found private detectives to track down extortion threats.

Cross-dressers found dressmakers who tailored for large sizes.

There were the single ads placed by individuals forever in search of love.

The American modernist artist, poet and essayist Marsden Hartley, a habitué of 1920s Berlin, ‘attended large transvestite balls and patronized homosexual bars frequented by male hustlers.

He later recalled, ‘Life in Berlin then was at the height of heights – that is to the highest pitch of sophistication and abandon. None of us had seen anything quite like the spectacle’.

Acclaimed American Architect Philip Johnson often considered the dean of American architects, ‘availed himself of Berlin’s male prostitution’.

‘Paris was never that hospitable’, Johnson said. He became fluent in German later saying, ‘I learned it the best way, using "the horizontal method".'


Transvestites having drinks in the Eldorado club that was not hidden away but celebrated in the golden age of the gay bar and club scene in Weimar Berlin. It was a hot spot for high society and partying until dawn was the norm

Dr Magnus Hirschfeld opened the Institute for Sexual Science in March 1919, the first such facility in the world to offer medical and psychological counseling on sexual issues to heterosexual men and women, homosexuals, cross-dressers and intersex individuals also known as hermaphrodites or individuals caught between male and female.

‘The institute represented the first attempt to establish "sexology", or sexual science, as a topic of legitimate academic study and research.

‘Nowhere else in the world was there so much as a university department or chair devoted to the subject, much less an entire institute,' writes author Robert Beachy.

The Institute also emphasized public education and had a museum of sexuality, the Hirschfeld Museum, with not only wall charts and photographs but also cases filled with phalluses and fetishes from around the globe.

Photographs of homosexuals dressed in huge hats, earrings and makeup adored the walls as well as women in men’s clothing and top hats.

When Dr William Robinson, a New York physician and prominent activist for birth control, visited the institute in 1925, he stated: ‘It is an institution absolutely unique in the whole world…which I hoped to establish in the United States but which I felt would not thrive on account of our prudish, hypocritical attitude to all questions of sex.’

It was at this institute that Hirschfeld and his colleagues pioneered some of the first sex-reassignment surgeries as well as primitive hormone treatments

Dr Hirschfeld studied cross-dressing, men and women who wore the clothing of the opposite sex.

Previously interpreted as a symptom of homosexuality by psychiatrists and sexologists, and associated with prostitution and criminal activity, Hirschfeld believed cross-dressers were often heterosexual.


Picture postcard of the gay club Silhouette, popular in the late 1920s and early 1930s. Always under a blue haze of cigarette and cigar smoke, film stars, cabaret artists and wealthy nobility were regulars including a young Marlene Dietrich alongside princes, counts and barons.


Nazi officials sort through 'un-German' and 'perverted' materials in the debris of the Institute for Social Science, that was ransacked on May 6, 1933, for a book burning event they staged four days later.

Male and female impersonators drew huge crowds at cabarets, circuses and variety theatres – as well as providing entertainment at the big transvestite balls and homosexual clubs, but they faced the possibility of being arrested by the police and harassed.

Dr Hirschfeld helped reform the practices of the Berlin police and convinced them to issue ‘transvestite passes’ so that performers could work without fear of harassment although there was no law prohibiting public cross-dressing.

But dressing like the opposite sex sometimes inspired the desire for a physical metamorphosis.

So the doctor performed one of the first (primitive) male-to-female sex-reassignment surgeries on a twenty-three year old officer who had fought in World War I.

From childhood on, he felt he was trapped in the wrong body and only went into the military to demonstrate his masculinity. But that didn’t subdue his feminine feelings and when the war was over, he felt suicidal.

Hirschfeld’s colleague, Dr. Arthur Kronfeld removed the man’s testicles and the effect was quite successful leading to a ‘psychic relaxation and a permanent feeling of harmony and balance’.

His facial hair disappeared and now he passed for a woman.

He visited a Dresden gynecologist, Dr. Richard Muhsam, who made a ‘vagina-like structure’ and tucked his member up in there in what was the first attempt to construct a vagina for a man.


Five months later, the former officer was back and reported having erections.

He also had fallen in love with a woman, abandoned his cross-dressing and was now masculine.

The doctor successfully undid the surgery and restored his masculinity.

Afternoon teas and large costume balls were held at the Institute as another venue for flamboyant cross-dressers. The balls attracted young male prostitutes along with the cross-dressers and prominent, open homosexuals.

Hirschfeld wanted homosexual men and lesbians to experience greater erotic fulfillment that wasn’t connected to procreation.

With the Great Depression of 1929, and the crash of the American stock market, the Golden Age was slipping away to a Hitler-led government by spring 1930, the Nazis were on the rise with the new Reichstag election.

In 1933 Adolf Hitler completed his march to power - and with fury the Nazis pursued Hirschfeld as a symbol of all they hated – as Jew, homosexual and sexologist.

The party in Berlin was over.

“The decay of moral values in all areas of life—the period of deepest German degradation—coincided exactly with the height of Jewish power in Germany.”

Otto Dix, Metropolis (1928).
Berlin in the heyday of the Weimar Republic: a hedonistic hellpit of sexual depravity.

No account of the Jewish Question in Germany can be complete without some mention of the tidal wave of sexual immorality that was to engulf the country during the period of the Weimar Republic (1919-1933) following World War One. This also happened to be the apogee of Jewish power in Germany. Every single sphere of major influence had now fallen under Jewish control.


Dr Karl Wiehe, in his Germany and the Jewish Question, is painstaking in the details he provides:

Well before 1933 the Jews had taken possession of the film industry even more thoroughly than of the theater. That was understandable, because the earnings in the film industry overshadow the earnings of any other artistic activity….

The biggest step in the direction of the decline of the German cultural life [however] was taken in the field of the light entertainment genre. Here—in the genre of musical comedy and above all in revue and burlesque—frivolity and lasciviousness were to rear their ugly heads. So much so that during these years Berlin was quite correctly considered the most immoral city in the world.

It was Jews who introduced this pornographic “art form” to Germany, a debased genre completely unknown before the Great War, and so it is the Jews who can be held responsible for the general decline in morals.

The Jewish sexologists Ivan Bloch and Magnus Hirschfeld became the representatives of “sex research” camouflaged as science—a bogus science that was merely an excuse for pornography and propaganda designed to destroy the institute of marriage and the sanctity of the family. [2]

Wiehe provides the following useful facts and statistics:

In 1931, over 60 percent of German films were produced by Jews and 82 percent of the film scripts were written by Jewish writers, though Jews made up less than 1 percent of the German population (0.90%). A quick look at the names of directors, producers, stage managers, actors, script writers and critics, “revealed everywhere an overwhelming preponderance of Jews.”

Alexander Szekely, German brothel in Ghent

A cursory survey of the film titles, Wiehe tells us, shows us that the Jews had only one thing on the brain: sex. Here are some typical titles: “Moral und Sinnlichkeit” (Morals and Sensuality); “Was kostet Liebe?” (What is the Price of Love); “Wenn ein Weib den Weg verliert” (When a Woman loses her Way);“Prostitution” (Prostitution); “Sündige Mutter” (Sinful Mama); “Das Buch des Lasters” (The Book of Vices).

“The sensational titles correspond to the sleazy contents,” Wiehe complains. “All wallow in filth and display with cynical frankness the vilest scenes of sexual perversion.” [3]

Light entertainment (revue/burlesque) was a Jewish innovation. The revue theaters, all concentrated within great cities such as Berlin, were owned and run almost exclusively by Jews. Shows consisted of little more than excuses for sexual titillation involving the display of the female form in lascivious dances that were to degenerate later into striptease and scenes of public masturbation. “In these revues,” Wiehe notes indignantly, “the uninhibited sex drive surrendered itself to disgusting orgies. All life was reduced to a common denominator of lust and its satisfaction. Chastity and self-discipline were mocked as old-fashioned prejudices.”

The Jews had managed, in the space of a mere fourteen years, to bring about a major “transvaluation of values” [4] in Weimar Germany. The vices of the past were now its virtues. The only vice that remained was chastity.

A glance at the revue titles is again sufficient: “Zieh dich aus” (Get Undressed); “Tausend nackte Frauen” (One Thousand Naked Women); “Die Sünden der Welt” (The Sins of the World); “Häuser der Liebe” (The Houses of Love); “Streng Verboten!” (Strictly Forbidden!); “Sündig und Süss” (Sweet and Sinful). [5]

Finally, there was the rich field of sexology: a new science consisting largely of dubious “case histories” purporting to reveal the depraved sexual habits of various anonymous patients. In order to give an air of academic respectability and erudition to these masturbatory fantasies—thrilling adventure stories involving necrophilia, bestiality and handkerchief fetishism—the more exciting details were often given in vulgar Latin “in order to exclude the lay reader.” [6]

Otto Dix, The Salon, 1921
Berlin prostitutes awaiting the pleasures of the evening

However, it was not long before the Latin was diligently translated into the vernacular for the benefit of the unlatined lay reader, thus defeating the purpose of the prim “schoolmaster’s Latin”.

Wiehe reels off a long list of Jewish sexologistswho he claims were in the forefront of writing such salacious treatises that were no more than pornography masquerading as science. Drs Magnus Hirschfeld [7] and Ivan Bloch [8] were the star writers in this field, their books still read avidly today by a gullible public hungry for details of the bizarre, the kinky and the perverse. Drs Ludwig Lewy-Lenz, Leo Schidrowitz, Franz Rabinowitsch, Georg Cohen, and Albert Eulenburg are some of the names Wiehe mentions.

Here are some of their depressing titles: “Sittengeschichte des Lasters” (The History of Perversions); “Sittengeschichte des Schamlosigkeit” (The History of Shamelessness); “Bilderlexikon der Erotic” (Picture Lexicon of Eroticism); “Sittengischichte des Geheime und Verbotene” (The History of the Secret and the Forbidden). And here are some of the titles published by Dr Magnus Hirschfeld’s Institute of Sexual Science in Berlin [9]: Aphrodisiacs, Prostitution, Sexual Catastrophes, Sexual Pathology, The Perverted. Wiehe describes all these books as “the filthy publications of these pseudo-scientists”, all of them written by Jewish authors and published by Jewish publishers. He continues in the same acerbic vein:

These books were allegedly supposed to be scientific treatises, their ostensible purpose being to “educate” the broad masses about the dangers of sexual excesses. Under the guise of science, however, they speculated in the lust and lower instincts of their audience. Criminals, prostitutes and homosexuals took center stage in their repertoire. One looks in vain for any known non-Jewish “sexual scientist”! [10]

It was in Weimar Germany, long before Hannibal Lecter, that the serial killer was to become an iconic figure — a source of secret fantasies and frissons.

Wiehe points out that masturbation, hitherto a hole-in-corner vice, began to be shamelessly promoted for the first time in Weimar Germany by Jewish-run organizations. He mentions Dr Max Hodan, Jewish medical officer for Berlin, and ticks him off for circulating a booklet recommending regular masturbation for the working classes.

It is worth noting that one of the world’s worst serial killers, Peter Kürten, committed all his crimes in Germany during the 1925-1930 period.

This was of course the heyday of the Weimar Republic when the German people lay completely under Jewish domination and when the first dress rehearsal for the later Sexual Revolution of the 1960s was arguably being run.

Significantly, when asked what his primary motive for murder was, Kürten replied: “to strike back at an oppressive society.” [11]

This was a society in which the serial killer was to become a popular icon, enough to create a whole genre of sensational sex crime literature. (See book title on left). [12]


British historian Sir Arthur Bryant describes throngs of child prostitutesoutside the doors of the great Berlin hotels and restaurants. He adds: “Most of them—the night clubs and vice resorts—were owned and managed by Jews. And it was the Jews among the promoters of this trade who were remembered in after years.” [13]

Arriving in Berlin during the hyperinflation crisis (1923), Klaus Mann—son the great German novelist Thomas Mann—remembered walking past a group of dominatrices:

Some of them looked like fierce Amazons, strutting in high boots made of green, glossy leather. One of them brandished a supple cane and leered at me as I passed by. ‘Good evening, madam,’ I said. She whispered in my ear, ‘Want to be my slave? Costs only six billions and a cigarette.’ [14]

Georg Grosz, Before Sunrise. Prostitutes and their clients in the red-light district… this is how they actually dressed and paraded themselves in the garish, lamp-lit streets.

10-year-old children turned tricks in the railway stations. A group of 14-year-old Russian girls, refugees from the Red Terror in Stalin’s Communist slaughter house, managed to make a lucrative living in Berlin as dominatrices. Little girls were freely available for sex not only in child brothels and pharmacies but could be ordered by telephone and delivered to clients by taxi, like takeaway meals.

Particularly bizarre were mother-and-daughter teams offering their services to the same client simultaneously. Mel Gordon writes: “One French journalist, Jean Galtier-Boissière, described, in sickly pornographic detail, the creeping horror of feeling a nine-year-old girl’s tiny, but proficient, fingers stroking his upper thigh while the broken-toothed mother covered his face with hot sucking kisses.” [15]

In Mel Gordon’s Voluptuous Panic: The Erotic World of Weimar Berlin, we enter a depressingly sordid milieu akin to the subterranean world of the sewer rat: a world which owed its existence in large part to German Jewry. Without Jewish money and influence, such a world would never have come into being. Nor was there anything the Germans could do to extricate themselves from this artificially created hothouse of erotomania and sexual deviance in which they now found themselves ensnared.

There were no fewer than 17 different prostitute types in this Jew-created brothel city: eight outdoor types and nine indoor ones, each with their specialities and slang terminology.

Outdoor prostitutes: (1) Kontroll Girls: legal prostitutes checked for venereal disease. (2) Half-Silks: part-time amateurs with day jobs as office workers, secretaries and shopgirls; evening and weekend workers. (3)Grasshoppers: lowly streetwalkers who gave handjobs and standup sex in dark alleys. (4) Nuttes: Boyish teenage girls who worked for “pocket money” after school without their parents’ knowledge. (5) Boot-girls: dominas (or dominatrices) in shiny patent leather boots who offered to stamp all over their clients. (6)Tauentzien girls: Chic mother-and-daughter teams, fashionably dressed, who offered their services to men who wanted threesomes. (7) Münzis: Heavily pregnant women who waited under lampposts (very expensive, since they offered an erotic speciality). (8) Gravelstones: hideous hags with missing limbs, hunchbacks, midgets, and women with various deformities. “The most common German word for them was Kies. In other accounts, they were referred to as Steinhuren.” [16]

Otto Dix, Three Wenches.These prostitutes were willing to work individually or in a team.

Indoor prostitutes: (1) Chontes: Low-grade Jewish prostitutes, mostly Polish, who picked up their clients in railway stations. (2) Fohses (French argot for “vaginas”): Elegant females who discreetly advertised in magazines and newspapers as private masseuses and manicurists. (3) Demi-castors(or “half-beavers”): Young women from good families who worked in high-class houses in the late afternoons and early evenings. (4) Table-ladies: Ravishingly beautiful escorts of exotic appearance who came with the reserved table in an exclusive nightclub. Clients had to be fabulously rich in order to afford the cultured conversation of these high-class call girls who accompanied the caviar and champagne and who later unveiled their charms in a sumptuously furnished chamber of delights.

(5) Dominas: Leather-clad women, athletic and Amazonian, who specialized in whipping and erotic humiliation. They were often found in lesbian nightclubs which also catered for kinky males. (6) Minettes (French for “female cats”): Exclusive call girls who offered S&M fantasy scenes, foot worship, bondage, and enforced transvestism. They worked in top class hotels. (7) Race-horses: Masochistic prostitutes who let themselves be whipped in “schoolrooms” or “dungeons” liberally supplied with instruments of torture. Clients were carefully screened to make sure they didn’t go too far. (8) ‘Medicine’: Child prostitutes (age 12-16), so called because they were prescribed as “medicine” in pharmacies. All the client needed to do was tell the pharmacist how many years he had suffered from his ailment (e.g., 12), without mentioning what ailment it was, and request the color of the pill he preferred (e.g., red). He was then escorted to a cubicle where his “medicine” awaited him: a 12-year-old redhead. (9) Telephone-girls (often billed as “virgins”): expensive child prostitutes (ages 12-17) ordered by telephone like a takeaway meal; the nymphettes were delivered by limousine or taxi. [17]

Luigi Barzini, in his social memoir The Europeans, describes the saturnalian scene in the Tingel-Tangels or sleazy bordellos of sex-crazed Berlin in the 1920s, the Golden Age of the Jews:

I saw pimps offering anything to anybody: little boys, little girls, robust young men, libidinous women, animals. The story went the rounds that a male goose whose neck you cut at just the right ecstatic moment would give you the most delicious frisson of all—as it allowed you to enjoy sodomy, bestiality, homosexuality, necrophilia and sadism at one stroke. Gastronomy too, as one could eat the goose afterwards. [18]

In October 1923, when one US dollar could buy 4.2 billion marks and six wheelbarrows of banknotes could barely buy a loaf of bread, it was said that “the most exquisite blow job to be had in Berlin never cost an American tourist more than 30 cents.” [19]

“Berlin nightlife, my word, the world hasn’t seen anything like it!” Klaus Mann, son of the great German author Thomas Mann, enthused sardonically. “We used to have a first-class army. Now we have first class perversions.” [20]

German author Erich Kästner, writing of Weimar Berlin, was to reflect on the topography of the soul sickness that had now taken possession of the once proud city: “In the east there is crime; in the center the con men hold sway; in the north resides misery, in the west lechery; and everywhere—the decline.” [21]

German Jewish author Stephan Zweig has much to say about homosexuality, pointing out that even in Ancient Rome—where fourteen of the first fifteen Roman emperors were gay—the degree of drunken depravity and public shamelessness (“pervert balls”) was far less shocking than in Weimar Berlin:

Bars, amusement parks, honky-tonks sprang up like mushrooms. Along the entire Kurfürstendamm powdered and rouged men sauntered and they were not all professionals; every high school boy wanted to earn some money and in the dimly lit bars one might see government officials and men of the world of finance tenderly courting drunken sailors without any shame. Even the Rome of Suetonius had never known such orgies as the pervert balls of Berlin, where hundreds of men costumed as women and hundreds of women as men danced under the benevolent eyes of the police. In the collapse of all values a kind of madness gained hold. Young girls bragged proudly of their perversion; to be sixteen and still under suspicion of virginity would have been a disgrace.” [22]

Weimar Berlin, 1928


My own impression, though I could well be mistaken here, is that Weimar Germany can be seen as a trial run or dress rehearsal for the Sexual Revolution of the 1960s, a revolution in attitudes and behavior that was to convulse America and then spread like a moral virus to Europe and the rest of the world.

Recollect that it was in Germany during the Weimar period—in 1923 to be exact—that the Institut für Sozialforschung was set up at the University of Frankfurt. Financed by the Argentian Jew Felix Weil, this was later to become the infamous Frankfurt School. [23]

It is my own hypothesis that the Germans were to be the initial guinea pigs of these Cultural Marxists [24], all of them initially Jewish apart from Habermas. These were revolutionaries intent on complete social control by the imposition of their Marxist worldview on the rest of society. It is self-evident that there is no other way to get control of a society with strong moral values than to weaken those values. The formula is simple: destroy the belief system on which that society is founded, especially its religion and its traditional codes of honor and decency. Promote godlessness and a philosophy of despair. To put it in even plainer language: reduce men to beasts if you wish to control them.

It was George Lukács [25], one of the founding fathers of the Frankfurt School, who had called for “a culture of pessimism and a world abandoned by God.” [26] And it was one of their most fanatical ideologues, Willi Munzenberg [27], who had said he wanted to turn the world upside down and make life a hell on earth. His exact words:

We must organize the intellectuals and use them TO MAKE WESTERN CIVILIZATION STINK! Only then, after they have CORRUPTED ALL ITS VALUES AND MADE LIFE IMPOSSIBLE, can we impose the dictatorship of the proletariat. [28, emphasis added]

With Jewish intellectuals like this at the helm, doing their utmost to promote moral anarchy and create an Orwellian dystopia, is it any wonder that the Germans went helter-skelter down the slippery slope and ended up where they did?

In America the Cultural Marxists were to apply a variation of their Weimar techniques, but refined and honed to a high degree. This time, they would use multiculturalism as a weapon of mass destruction in addition to moral corruption. They would flood the country with immigrants, legal as well as illegal. They would turn race against race (engineered ethnic conflict), parent against child (attack on authority), and man against woman (radical feminism). Above all, they would teach the non-White races to regard the White race as the ultimate evil: “the cancer of human history”, to quote Jewish feminist Susan Sontag. [29]

The above comments are admittedly controversial and will elicit anger in many quarters. For this I apologize. My purpose is simply to give voice to an urgent and widespread perception. Not to be able to say what many people increasingly believe is clearly undesirable.

What did the cultural Marxists learn from Weimar Germany?

They learned that the Sexual Revolution, in order to succeed, had to be a slow and gradual process. “Modern forms of subjection,” the Frankfurt School had learned, “are marked by mildness.” [30] Weimar had failed because the pace had been too frenetic. People were aware they were being corrupted. That was fatal.

To corrupt a nation effectively one must make sure that the descent into degradation is an infinitely slow and imperceptible process, one miniscule step at a time—just as those who wish to cook frogs alive in a saucepan, reducing them to a state of comatose stupor, are advised to place them in cold water and boil them to death as slowly as possible. [31]

Lest I be accused of antisemitism by this portrayal of the systematic sexual corruption of the German people at the hands of their Jewish masters—a classic instance of social engineering practiced on an entire population—let me allow a well-known and respected Jewish authority on the Weimar era to have the final word. He is Dr Manfred Reifer, and he is writing in a prestigious Jewish publication:

Whilst large sections of the German nation were struggling for the preservation of their race, we Jews filled the streets of Germany with our vociferations. We supplied the press with articles on the subject of its Christmas and Easter and administered to its religious beliefs in the manner we considered suitable. We ridiculed the highest ideals of the German nation and profaned the matters which it holds sacred.” — Dr Manfred Reifer, in the German Jewish magazine Czernowitzer Allegemeine Zeitung,September 1933

In the same month those words were written, September 1933, Adolf Hitler removed every single Jew from positions of influence in the mass media: from the fields of literature, art, music, journalism, the cinema, and popular entertainment in general [32]. The influence that the Jews had exerted on the German psyche was to be regarded henceforth, rightly or wrongly, as pernicious. And Kulturbolschewismus, or “Bolshevik culture”, a derogatory term for Jewish culture itself, became synonymous with moral anarchy and sexual decadence.

* * *


[1] Dr Friedrich Karl Wiehe, Germany and the Jewish Question. Published in 1938 in Berlin by the Institute for Studies of the Jewish Question, this eight-part booklet runs to approximately 23,500 words in the English translation. As I have quoted this important work extensively both here and in my forthcoming 4-part essay How the Jews Rose to World Power, I felt it would be advisable to paraphrase/translate the defective Germanic English of the English version completely, quoting the original translation only when the English was free from grammatical and orthographical errors. Readers who know German are invited to consult the original German essay here: Deutschland und die Judenfrage.

[2] Wiehe, Ibid.

[3] Wiehe, Ibid.

[4] “transvaluation of values”

[5] Wiehe, Ibid.

[6] Krafft-Ebing’s Psychopathia Sexualis

[7] Magnus Hirschfeld (1868-1935). The first advocate for homosexual and transgender rights and himself a homosexual, Hirschfeld figured out that there were 64 different types of male, ranging from the extremely masculine heterosexual male to the extremely feminine homosexual male. Whether there are also 64 different types of females, ranging from the extremely feminine heterosexual female to the extremely masculine butch lesbian, is not clear. Described as the “the Einstein of Sex”, Hirschfeld thought abortion was a good thing and approved of miscegenation and the mongrelization of the White race.

[8] Ivan Bloch (1872-1922). Like Hirschfeld, Bloch was a Jewish homosexual whose main interest in life was sexual perversion. Author of the 3-volume Handbuch der gesamten Sexualwissenschaft in Einzeldarstellungen (“Handbook of Sexology in its Entirety Presented in Separate Studies”), Bloch was an expert on sadism and helped to popularize the work of the Marquis de Sade. He apparently discovered the manuscript of de Sade’s The 120 Days of Sodom and published it under a pseudonym in 1904, presumably pocketing the royalties.

[9] The Institute for Sexual Science (Institut für Sexualwissenschaft). Founded in 1919 in Berlin, the Institute was housed in a villa purchased by Hirschfeld not far from the Reichstag building. It housed his immense library of sex books, most of them pornographic, and offered the public advice on their sex problems (“medical consultations”). People from around Europe visited the Institute, including the homosexual duo Auden and Isherwood, “to gain a clearer understanding of their sexuality.” (Wikipedia). The Institute, which encouraged “educational” visits from school children, included a Museum of Sex full of pornographic pictures, dildos, “masturbation machines”, and other curiosities of a similar nature. In May 1933, after the Nazis had come to power, the Institute was attacked and thousands of its pornographic books and erotic artifacts destroyed in a “bonfire of the vanities” — this event later being portrayed by Jewish interests as a tragic loss to civilization, comparable only to the burning of the Great Library at Alexandria in 645 AD.

[10] Wiehe, Ibid.

[11] Peter Kurten, “to strike back at an oppressive society.”

[12] An example: Marina Tatar’s Lustmord: Sexual Murder in Weimar Germany.

[13] Sir Arthur Bryant, Unfinished Victory (1940), pp. 144-145

[14] Mel Gordon, Voluptuous Panic: The Erotic World of Weimar Berlin, p.39

[15] Mel Gordon, Ibid., p.43

[16] Mel Gordon, in an email to this author (1 March 2013).

[17] Mel Gordon, Ibid., pp.28-32

[18] Quoted in Stephen Lemons, Paradise regained: Weimar Berlin’s depraved, sin-filled nights tantalize the imagination anew in Mel Gordon’s “Voluptuous Panic”.

[19] Stephen Lemons, Ibid. If 30 cents for a blowjob was considered a bargain for the American tourist in Weimar Germany, it is of interest to note that the blowjob rate for sex tourists in Moldova today is considerably lower—only 20 cents a pop. We learn this from a book originally published in Hebrew in Israel (In Foreign Parts: Trafficking in Women in Israel, by Ilana Hammerman. Am Oved. 199pp). “The local rate for sex services at the Chisinau train station,” we are told, “is about NIS 0.70 for a blowjob.” (Quoted in “Land of Filth and Honey”, by Eli Shai, Jerusalem Post, November 5, 2004). 0.70 New Israeli shekels works out to 20 cents. Moldova, the poorest country in Europe, where the average income is US $300 per month and 20 percent of the population live in abject poverty on $3 per day, is a favorite destination for European and Israeli sex tourists, especially for pedophiles. Chisinau is the capital of Moldova, and it is at its railway station that gaunt, hollow-eyed children—some of them as young as 7—line up to offer their services to the incoming sex tourists. (Seehere).

[20] Klaus Mann, The Turning Point (1942), quote.

[21] Erich Kästner, quoted in “Institute for the study of western civilization: the twentieth century. Lecture 9: Weimar Culture.”

[22] Quoted in Columbia University Press review of Weimar Cinema: An Essential Guide to Classic Films of the Era, edited by Noah Isenberg

[23] The Frankfurt School: Wikipedia. For an alternative and more dissident viewpoint, see The Frankfurt School: Metapedia and its numerous links.

[24] Readers who wish to know more about the philosophical milieu of modernity—i.e., the cultural swamp of sexual bolshevism in which the benighted masses are forced to flounder today—are advised to make a careful study of the following eight core articles:

(1) Arnaud de Lassus’s The Frankfurt School: Cultural Revolution(2) Kevin MacDonald, The Culture of Critique, Chapter 5

(3) William S. Lind, What is Cultural Marxism?

(4) William S. Lind, Who Stole our Culture?

(5) Timothy Matthews, The Frankfurt School: Conspiracy to Corrupt. (Or my own shorter adaption of this with extended commentary, Satan’s Secret Agents: The Frankfurt School and its Evil Agenda.)
(6) Michael Minnicino, The Frankfurt School and ‘Political Correctness’

(7) Cultural Marxism: (Metapedia).

(8) Sexual Bolshevism: (Metapedia).

[25] Georges Lukács, Wikipedia.

[26] Timothy Matthews, The Frankfurt School: Conspiracy to Corrupt.

[27] Willi Munzenberg, Wikipedia. See also Sean McMeekin’s The Red Millionaire: A political biography of Willi Münzenberg, where Münzenberg is described as “the perpetrator of some of the most colossal lies of the modern age…. He helped to unleash a plague of moral blindness upon the world from which we have still not recovered.”

[28] Lasha Darkmoon, The Plot Against Art (Part 1).

[29] “The truth is that Mozart, Pascal, Boolean Algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, and Ballanchine ballets don’t redeem what this particular civilization has wrought upon the world. The white race is the cancer of human history.” — Susan Sontag, Partisan Review, Winter 1967, p. 57. This infamous quote, once cited in the Wikipedia article on Sontag, has recently been removed.

[30] Arnaud de Lassus, The Frankfurt School: Cultural Revolution.

[31] Boiling Frog (Wikipedia)

[32] The Holocaust Timeline

With this sexual revolution taking place, the Weimar Republic was basically establishing reasons for Nazi Germany:
George Grosz
“The numerous copies in multiple editions of [Psychopathia Sexualisand Sexual Aberrations] revealed an unintended secondary readership: other perverts. The salacious case histories of sadists, fetishists, Algolagnists, flagellants, and the like, formed a novel province in Weimar pornography.
“Under the guise of psychological research, graphic photographs and illustrations were added to still other strange biographical confessions and fantasies. Berliners seeking stronger erotic sensations and instruction for weird sex scenarios merely had to peruse Galante journals for the current ‘scientific’ offerings. Virtually every deviant practice had a layman’s society and private publishing arm.
“One ‘physician,’ Ernst Schertel, headed a hypnotic ‘Dream theater’ and several book clubs devoted to whipping and buttock fetishism.
“Schertel’s serialized periodicals explored the dark fantasy games and dramatics of animal lovers, worshippers of obese Dominas, sadistic teachers, bare-hand flagellants, incestuous necklas fetishists, urine drinkers, bondage freaks, high-heel stompers…
“German authorities attempted to shut down his Parthenon-Verlag in 1931 and Wilhelm Reich publicly opposed the perverse Dream Theater. But Schertel, working under foreign pseudonyms like Dr. F. Grandpierre, outwitted them all.”
Of course Gordon plays down the participation of Jews in the business, saying that while the Jews
“dominated certain cultural fields in pre-Nazi Berlin, especially publishing, law, medicine, theatre, graphic art, cinema, music, architecture, and popular entertainment, relatively few Jews were still involved in common prostitution with the exception of two picturesque types: Kupplerinnen (procuresses) and Chontes—zaftig whores from southern Poland.”
It is understandable that Gordon is trying to dismiss a body of scholarship, since that would eventually lead to a reevaluation of at least one reason why Nazi Germany was completely against Jewish revolutionary activity.
Gordon tells us that Wilhelm Reich, another Jewish sexual revolutionary whose work we have repeatedly examined in the past, believed that Hirschfeld’s work would advance the cause of fascism.[59] Gordon also tells us that as soon as Hitler came to power in 1933, “the Institute of Sexology was one of his first targets.”[60]
Nazi Germany quickly placed the graphic paintings of George Grosz, Jankel Adler, Rudolf Bauer, Cesar Klein, Max Pechstein, Ludwig Meidner, Otto Dix, Rudolf Schlichter, among dozens of others, under the heading of “degenerate art” because of their pornographic imageries.

Candid photos of 1930s burlesque dancers included in exhibition of pioneering female photographer

  • Margaret Bourke-White, known for her work during conflict, photographed scantily-clad dancers
  • Photographer was the first American female war photojournalist and first female photographer for Life magazine
  • Lesser-known photographs feature in vast retrospective show at the Daniel Blau gallery in London till 20 December

A selection of candid images reveals what went on backstage at the original burlesque shows of the 1930s.
Shot by renowned photographer Margaret Bourke-White, who is better known for her work during conflict, the photos show scantily-clad dancers waiting to go on stage.
The late Bourke-White went behind the scenes with chorus girls in 1936 and pictured them setting their hair in neat waves and perfecting their pout in rustic Hollywood mirrors.
So-called Burlesque Strip-Steppers wear ladylike hats and fur shawls with string knickers and little else
Draped in Grecian robes
Behind the scenes: So-called Burlesque Strip-Steppers wear ladylike hats and fur shawls with string knickers and little else, left, and draped in Grecian robes, right
This warm-toned silver gelatin contact print on semi-matte, double-weight<br />fibre paper is dated November 1936
A dancer sits patiently in an elaborate costume
Their public awaits: Burlesque chorus girls wait their turn to get on stage, left, as one dancer sits patiently in an elaborate costume 
Pioneering Bourke-White from The Bronx, New York, was the first female photographer for Life magazine. She once said: 'The camera is a remarkable instrument. Saturate yourself with your subject and the camera will all but take you by the hand.' 
These previously unseen and lesser known photographs of burlesque and ballet dancers backstage are just some of her work on show at a new exhibition in her honour.
Held in the Daniel Blau gallery in London until 20 December, the presentation features contrasting facets of the photographer's work.
A selection of more than 60 vintage photographs includes incredible images of the Second World War in North Africa and Italy, which embody Bourke-White's courage and determination.
Works of art: A star of the show called Miss Minsky bares all, left, and a scene is set at a French Casino, right
The show must go on: Chorus girls are pictured setting their hair in neat waves in rustic Hollywood mirrors
The show must go on: Chorus girls are pictured setting their hair in neat waves in rustic Hollywood mirrors
Finishing touches: The burlesque girls adjust their costumes and ensure their hair is in place 
Finishing touches: The burlesque girls adjust their costumes and ensure their hair is in place 
She became the first woman photographer to accompany the U.S. armed forces. 
While crossing the Atlantic to North Africa, her transport ship was torpedoed and destroyed. Bourke-White survived the attack and continued on her travels to Europe to cover the bitter daily struggle of the Allied infantrymen in the Italian campaign.
In the male-dominated world of early twentieth century photojournalism, Bourke-White was a pioneer.
In her extensive and diverse career, she photographed many historic moments. 
This 1936 picture is entitled: Backstage In a Degas Setting the<br />Ballerinas of the Ballet Russe Pause
This 1936 picture is entitled: Backstage In a Degas Setting the Ballerinas of the Ballet Russe Pause
Bourke-White's intuition and dedication gave her the knack of being at the right place at the right time. 
She was the first Western photographer permitted to document Soviet Industry after the revolution, the first female war correspondent, the first woman permitted to work in combat zones and the first woman to fly on a bombing mission during the Second World War.
Bourke-White shot the first cover of what was to become the iconic LIFE magazine in 1936, the publication that would later send her to cover the Second World War. 
The exhibition will be on at gallery Daniel Blau, London from October 31 - December 20, Tuesday - Friday, 11am - 6pm. Also Monday and Saturday by appointment.
Action on the water: This 1934 sailboat picture is called America's Cup, Putting Away Topsail at End of Cruise of<br />Rainbow
Action on the water: This 1934 sailboat picture is called America's Cup, Putting Away Topsail at End of Cruise of Rainbow
Sail away: A peaceful scene shows boat with an elegant long sail making its way
Sail away: A peaceful scene shows boat with an elegant long sail making its way
Water world: Another picture from the 1934 series America's Cup, Rainbow shows a glossy sea and stormy sky
Water world: Another picture from the 1934 series America's Cup, Rainbow shows a glossy sea and stormy sky
Historic desk: Various ornaments on President Franklin D. Roosevelt's Desk in the White House, Christmas Eve, 1934
Historic desk: Various ornaments on President Franklin D. Roosevelt's Desk in the White House, Christmas Eve, 1934

Throughout his own work, Gordon tells us how the Weimar Republic sought to refashion Germany through sexual revolution. He argues,

“Prostitution lost its exact meaning when tens of thousands were involved in complex sex attachments, all of a commercial nature. The vaguely Wilhelmian underpinning of middle-class Berlin slowly cracked and, over time, collapsed.
“Venereal disease, not flesh-peddling, threatened the immediate well-being of the capital. Syphilis and gonorrhea spread at an alarming rate. The city fathers, once proud watchdogs of the moral code, turned to Berlin’s public officials and social workers for help…
“Public and habitual masturbation, manifestations of shell-shock, grew to epic proportions, shaking morals as well as becoming an embarrassing disciplinary problem. In the countryside, the brutal corralling and rape of foreign women, usually peasant girls, by German recruits was reported with some frequency in the early dispatches…
“Roman-style orgies became synonymous with Etappe life…Sex, the historical lubricant for rallying a nation to armed conflict, was destroying the Kaiser’s war. “A dizzying panic overtook Berlin in October 1919. Not since Paris in the 1860s had a European city experienced the Edenic flush of total erotic freedom.
“With prostitution and all-night dancing already accepted features of contemporary Berlin life, what else could be added. Drugs and over-the-counter pornography appeared first…
“The most sought-after pornographic postcards and films had been imported from Paris and Budapest before the war. Now Berlin was patriotically producing its own brands in oversized graphic portfolios, ‘bachelor’ Galante magazines, photo-sheets, and smokers…

“The sweet qualities of Gallic porno were supplanted in Berlin studios by the psychopathic scenarios from Krafft-Ebing. Forced, intergenerational, scatological, and obsessive fetish sex prevailed…The distinct erotica of Berlin was sold in specialized bookstores and here and there on the street…
“Wild sex and all-night antics could be made anywhere. In private flats, hotel rooms, and rented halls, drug parties and nude ‘Beauty Evenings’ were constantly announced and held.
“A gala atmosphere enveloped 1919 and 1920…In postwar Paris, a traveler could engage the services of a streetwalker for five or six dollars; but during the inflation in Berlin, five dollars could buy a month’s worth of carnal delights…Sex was everywhere and obtainable on the cheap…
“Child prostitution was a searing social issue long before and after the inflation era. It involved both female and male children, sex-workers’ progeny, runaways, and troublesome adolescents. There seemed to be almost no bottom age for those seeking physical companionship with children. And virtually no end to willing girls and boys.” What was even more troublesome during the Weimar era was that sexual magic was used as a form of revival; it was viewed as a form of religion and prayer.[62] Gordon states that sex magic was used as a
“bodily manifestation of lost esoteric wisdom, techniques of Gnostic faith, flipped transmogrifications of flesh, even divine rungs for ultimate human salvation…Sexuality was the fuse and hidden spring of Weimar Germany’s newest dogmas.”[63]
The early part of Europe in the twentieth century was affected by the revival of occultism, with many occult groups and fringe movements springing up in order to revive old sexual practices and rituals. Occult groups seeking sexual magic were ubiquitous.[64] A year before Hitler came to power,
“Berlin alone supported the flashy productions, seances, and publications of 20,000 itinerant telepathists, wonder-working healers, palm readers, storefront clairvoyants, Hollow-Earth adherents, alchemists, stage mesmerists, doomsday prophets, Gypsy-clad fortunetellers, and trans-performers.”[65]
It must also remembered that it was a time where black magicians such as Aleister Crowley roamed Europe with their sexual rituals in order to gain entrance into what Crowley would later refer to as the New Aeon.[66] It has been argued by some that Crowley was widely involved in the sex industry in the Weimar Republic.[67]
All of these satanic sex ceremonies were done as a form of blasphemy in Berlin, where some of the participants also took drugs in order to enhance their sexual magic.[68] In Gordon’s words, there were “dionysian-like festivities,” where hymns to Pan were chanted and a goat was sacrificed to begin the sexual ceremony.[69] Scholar John Alexander Williams tells us that
“By 1930 an estimated one hundred thousand people took part in organizations that were either dedicated wholeheartedly to nudism or practiced it regularly. The movement of some eighty thousand hard-core nudists also became more ideologically diverse, splitting into bourgeois and socialist sectors. An umbrella organization for bourgeois nudists, the Reich Federation for Free Body Culture, was founded in Leipzig in 1924.”[70]
Yet by 1932, the power of sexual eroticism began to decline during the rise of Nazi Germany—most pornographic publications were banned and nudist clinics such as Koch’s were shut down. By 1933, Hirschfeld’s Institute of Sexology was ransacked and vandalized by SA-men and students. Archival files were destroyed, and thousands of books and manuscripts were burned. In Gordon’s own words: “Berlin’s sex industry contracted and nearly disappeared throughout the summer months of 1933.”

Kate Beckinsale is a timeless beauty. She was born in on July 26, 1973 in Finsbury Park, London. The English actress is known best for her roles in Pearl Harbor, Underworld, Van Helsing, and The Aviator. Here is a collection of her most stunning shots.

Paradise regained

A snapshot of Berlin between the world wars includes nudist magazines devoted entirely to children; glittering cabaret shows parading acres of sweaty, perfumed female flesh; and an endless supply of cafes, bars and private clubs catering to gay men, transvestites, lesbians and sadomasochists.
Inflation is so rampant that the local paper currency is good only for toilet paper. Cocaine, morphine and opium are peddled on every street corner. And more than 120,000 desperate women and girls of every age and stripe sell their bodies for a pittance, including mother-daughter prostitution teams and brazen streetwalkers well into the third trimester of pregnancy.
Such was the glory that was Weimar Berlin, a burg American writer Ben Hecht called the “prime breeding ground of evil.” Most are familiar with its reputation as a crime-ridden sewer of frenetic debauchery through period classics such as Fritz Lang’s “M” and Josef von Sternberg’s “The Blue Angel,” stage productions of Brecht’s “The Three penny Opera” or screenings of Bob Fosse’s lurid, leggy movie musical, “Cabaret.” However, very few of our assumptions about that decadent interwar wonderland are based on actual documentation of Berlin’s whorish past. And most of it has been filtered through the arid prose of academia.
Now with Mel Gordon’s new tome, “Voluptuous Panic: The Erotic World of Weimar Berlin,” connoisseurs of carnal excess have the next best thing to a time machine with which to visit that era of blissfully morbid hedonism.
Drawing from his vast collection of pre-Nazi Berlin memorabilia, Gordon, a professor of theater at UC-Berkeley, has assembled an Encyclopedia Britannica of Weimar smut. This 267-page omnibus of Babylon-on-the-Spree’s demimonde is full of antique pornography, guidebooks, magazine illustrations, board games, photos of Rube Goldberg-like masturbation devices and priceless ephemera from bygone restaurants and pubs.
Gordon says his massive, wallet-busting collection began as part of a job assignment from the Goethe Institute, a program supported by the German government to promote German language and culture.
“Back in 1994, I got a grant from them to do a cabaret extravaganza in San Francisco starring Nina Hagen,” recalls Gordon. “I decided to do a real, three-ring Weimar production based on the life of Anita Berber, the great sex goddess/flapper of the age. We had a lot to go on, research-wise, except the visuals. I went to the library, and I was amazed to find nothing except old George Grosz and Otto Dix paintings and some rather tame photos which had been reprinted endlessly.”


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